Melissa Greener - BIO
Regardless of what people might think, January in Nashville is cold. Damn cold, when you’re living in your car. Ask Melissa Greener. On New Years Eve, she stood on a corner downtown, with nothing but a guitar and an idea that Austin, Texas might be where she needed to go. Strung out and shivering, Melissa played her songs for passing tourists until she had a hundred and twenty bucks, enough, apparently, to start the career of one of the finest young singer/songwriters to pick up a guitar. But that's just a small piece of the story.
Born in Detroit, Melissa was supposed to go to college, get a useful degree, and get in line with the rest of the world. Fortunately for the rest of the world, she was unable to deny the river of song that flowed in her veins. For one so young, her story is long, and it's reflected in the depth, insight, and maturity of her music.
Much to the dismay of her post-war parents, she begged for a guitar for a year before she finally got one at the tender age of nine. Melissa admits she was a lazy student, although she soaked up every influence of childhood guitar teacher Billy Brandt including his heros’; Stephen Stills, Neil Young, and Gram Parsons.
In Junior High School Melissa discovered in the poetry of Yeats, Dylan Thomas and Robert Service, an intensity and passion similar to her own. Absorbing the rhythms, patterns, structures and even melodies on the pages, her own compositions emerged. By the time she was in High School, she was cultivating her performance at talent nights and open mics. Her next moment of clarity came when a band-mate asked Melissa to teach her to play guitar like "this girl". "This girl" was Shawn Colvin, whose influence was essential to Melissa’s musical evolution.
After High School, wanderlust took Melissa to Tel Aviv, and then love took her to Montreal, Canada. Once in Canada, she completed a BFA in ceramics from The Nova Scotia College of Art and Design in Halifax, Nova Scotia. There she was offered the opportunity to teach in Jingdezhen, China, considered to be the birthplace of porcelain. Isolated, the only westerner in the village, Melissa began writing songs for what would become her first record. During that time she was confronted with the decision that writing and performing her songs was the path she wanted to take. With her contract finished, she returned to the US and apprenticed under studio potter John Glick, after which time she left her ceramics career behind, and sought out to focus her talent and energy on music.
Over the next few years, Melissa worked at her music, but took an unfortunate detour through love and addiction. However, the greatest songs are often written when things are at their worst, and another handful of songs was born that would soon comprise the rest of Melissa’s first recording. Melissa jumped to San Francisco, then to Clearwater, Florida before realizing that she needed to take control of her life. She left...alone, for Nashville.
Nashville turned out to be nothing but a series of letdowns, knocking on the wrong doors, and feeling the cold reality of rejection by the established music machine. But in that darkness, Melissa heard a warm lilt from Texas calling, so she took that spot on the corner on New Years Eve and busked her way south to Austin.
It didn't take long for her to realize that she had made the right decision. Melissa's talent was recognized right away and she was accepted into the music community with open arms. It wasn't long before she was introduced to producer Darwin Smith, and her critically acclaimed first album, "Fall from the Sky" became a reality. It was during the making of that record that her music came to the attention of John Jennings, who had produced Grammy winning records for Mary Chapin Carpenter, and worked with Janis Ian, Iris DeMent, and the Indigo Girls. Jennings was booked to helm Melissa’s next recording project.
"Dwelling", produced by John Jennings was released in April 2010. It is a grouping of 10 songs that explore notions of ‘home’ and the intimacies between the people who are closest in our lives. The love-hate and the push-pull of familial as well as romantic unions, and the place we take amid them are the meditations here. This demure recording has much spirit. The songs are exquisitely supported by Jennings’ gentle handling. Dwelling is receiving rave reviews throughout the US and Europe.
After a residency in New York City, Melissa has returned to Nashville where she no longer knocks on doors, but sneaks in around back.
And so the story continues...≠